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Beattie (who, once upon a moment, had written Collateral) from Kevin Grevioux’s visual novel, the film plunks Frankenstein’s beast (Aaron Eckhart, of all people) into the center of a key modern-day war between shape-shifting gargoyles and devils. Underworld’s fixation on simply clicking, sparkling, sinkable weapons is existing and included, as are sequence regulars Grevioux and Invoice Nighy, the latter once again slithering his way through some of the silliest conversation (“I am a devil prince”) ever dedicated to document. Everything is selected for highest possible dorky/cool factor; figures have titles like Naberius and Zuriel, devils burst into atmosphere of cinder and ash, and the monster—who likes to be known as “Adam”—rocks a trench cover and boot-cut denims.

Beattie (who, once upon a moment, had written Collateral) from Kevin Grevioux’s visual novel, the film plunks Frankenstein’s beast (Aaron Eckhart, of all people) into the center of a key modern-day war between shape-shifting gargoyles and devils. Underworld’s fixation on simply clicking, sparkling, sinkable

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weapons is existing and included, as are sequence regulars Grevioux and Invoice Nighy, the latter once again slithering his way through some of the silliest conversation (“I am a devil prince”) ever dedicated to document. Everything is selected for highest possible dorky/cool factor; figures have titles like Naberius and Zuriel, devils burst into atmosphere of cinder and ash, and the monster—who likes to be known as “Adam”—rocks a trench cover and boot-cut denims.
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Beattie (who, once upon a moment, had written Collateral) from Kevin Grevioux’s visual novel, the film plunks Frankenstein’s beast (Aaron Eckhart, of all people) into the center of a key modern-day war between shape-shifting gargoyles and devils. Underworld’s fixation on simply clicking, sparkling, sinkable weapons is existing and included, as are sequence regulars Grevioux and Invoice Nighy, the latter once again slithering his way through some of the silliest conversation (“I am a devil prince”) ever dedicated to document. Everything is selected for highest possible dorky/cool factor; figures have titles like Naberius and Zuriel, devils burst into atmosphere of cinder and ash, and the monster—who likes to be known as “Adam”—rocks a trench cover and boot-cut denims.